One, if not the most useful book I've read on filmmaking!
Customer Rating: 
I will try to make this review as succinct as possible. This is to urge you to read this book and act on it.
I have read many many books on film (and the craft). I am a film producer/director who has won several festival awards and countless official selections. I was in utter awe at how much information was in this modestly sized cheap book. I base most of my book collections on Amazon reviews and peer suggestions. In that aspect alone this book refers to books on every single subject of filmmaking!
That alone makes this book solid gold. It took me about 2 years to compile my current film-oriented library. If I had this book before hand, I am undoubtedly sure it would not take me 2 years to build my collection.
So, what else will you find in this technical masterpiece? "Everything you need to create a successful Independent Film". Literally.
Every chapter flows swiftly (at the end of every chapter is a reference to what seems an endless list of contacts/books/sources). And before you know it, you're done. And boy will you want more. ;)
Simens packs so much information in a tiny amount of space, it makes other books i've read seem redundant. Read it once and you'll be a better filmmaker 10 fold. Read it twice, and you should have no reason to hold you back (aside from the lazy).
highly recommended, and highly recommends other books
Customer Rating: This book is awesome. I recieved it as a gift with my first feature film coming up (coming from shorts). I went from having a little bit of a clue, to knowing almost every in and out of what I should do, how to do it, and how to get the upper hand in doing it.
The author is great. His points are humourous because they are so blunt. He'll add little comments that tell you a ton, and totally make fun of something in the process; but whatever it is is so true that it's the information you really need to know. For example, he puts "TOP SECRET" signs by any huge point that makes or breaks films, that 4-year film school and HY avoids telling people. All points helpful, enlightening, and direct.
It also is a huge directory book for studios, executives, rental houses--basically contact information for every single thing he goes over in the book. It also lists other books, films, etcetera to go and read and view and further your knowledge. You can't learn from just 1 book and go out and make it.
I'm going through this particular book, thought, 3 times--at least. To (2) index everything and then (3) pull everything from it together into a timeline that works best for me.
Now, [[[ CONS ]]] . Like other reviews have mentioned--he goes off on how "the other 97% of you probably had a hard time parting with the money to buy this book" when talking about budgets, hinting that you probably are making a 5000$-50000$ feature--and then turns around and gives his most detailed, step-by-step process of making a film, about 15 chapters, all around making a 250,000$ film (which, as you'll find out, is marketed as a 1,000,000$ film). You have to take this relatively. Take what's there, and shrink it down to your budget. He explains SOME things you can cut down on to make a film with lower budgets afterwards, but only spends about a few paragraphs on it. So you go through all the process of the 250,000$ film and take from it everything you can. Bring it down to your level. It has all the information you need to get started, as listed, but you're going to have to get creative and cut down hard on the 250,000$ budget--starting with the things he mentions during those paragraphs.
The other con is, this book is published in 2003, so written during 2002 or earlier. This book doesn't know about HD, HD cameras, and HD tapes. Among others. It's either film or miniDV. And DVC--ha. It's surprisingly savvy on Internet distribution, primarily because it hasn't evolved there yet, but obviously there is other information about it that is present now that you won't find in the book. The main thing is, again, it's a little dated on digital stuff, which is dissappointing, because digital is like the light of ultra low budget film making. However, some updates on this topic can be found at his web school.
Another personal con is all the endorsements and stuff. So a few big names have succeeded by involving Dov's information--it's sad that that's what it takes to sell the book. If you bought the book because tarauntino or queen latifa's names on it, you probably aren't going anywhere. Luckily, he doesn't mention these people anymore than anyone else once you dive into the text; only as references to first-time film makers, etc.
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Great information, I think it lives up to it's claims, and the personality of Simens makes it interesting all the way through. His personality is extremely direct, and if you can't take the heat, you probably won't make the cut in the industry, so it's probably a great thing.
Enjoy
