Off Target
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Amidst the smoke and karaoke crooning of New Year's Eve, a friend and I got to talking about trauma. I'm a US Navy veteran; I never killed, but I served in war zones and as a police officer. Her eyes gleamed as she recommended a book--Dave Grossman's *On Killing*.
Lt Colonel Grossman, retired, claims to publish the first study of killing... albeit built on the research of many others. So imagine my surprise when I found a political treatise against the media.
--On Insults--
Right off the bat, Grossman maligns skeptics of media violence in the paperback introduction. He compares them morally and scientifically to tobacco lobbyists. He sidesteps skepticism with slippery appeals, complete with cute phrases like "Violence Immune Deficiency". Grossman then provokes media control moderates and liberals, by declaring:
"I think most individuals would agree that the `just turn it off' solution probably rates right up there with `let them eat cake' and `I was just following orders' as all-time offensive statements."
In other words, the author compares us to tyrants. He also panders to a populist appeal, all in the same sentence. For an encore, he announces that:
"After nuclear holocaust, the next major threat to our existence is the violent decay of our civilization due to violence-enabling in the electronic media."
Pardon me, Colonel, while my eyes roll right out of their sockets. I thought this was a study of killing. Not only am I hit with a political screed, but the author tips his whole hand:
"Finally, and perhaps most important, I believe that this study will provide insight into the way that rifts in our society combine with violence in media and in interactive video games to indiscriminately condition our nation's children to kill."
--On Histrionics--
I nevertheless gave the main text a chance. Although Grossman professes to examine killing in general, he focuses on the military. Few police sources appear, and little is said of criminals. This actually becomes a problem towards the end of the book, as Grossman misapplies his conclusions to non-military participants and environments. While it lasts, though, this portion of the book is fascinating
The moral tone also raised my eyebrows. Grossman's prose is sticky with sexual and slaughterhouse metaphors. Yet he bleeps out obscenities in soldier's quotes, notably "f---" and "s---". I suspect any text that compares itself to a sex manual for virgins, but strikes out the language.
The author also uses morally-biased phrasing, for example, by repetitious use of "the egalitarian United States", "violence-enabling media", and "conspiracy".
On these bizarre notes, I noticed the book delves into conspiracy theories. From the start, Grossman claims that media violence is a genocidal plot against black people. Section One prattles about national conspiracies to hide the horror of warfare. The Vietnam chapters are similarly paranoid, suggesting an illuminati-like anti-war movement. The final sections builds key arguments off an unsubstantiated *Clockwork Orange* scenario. These creepy assertions bubble out of otherwise sedate prose, and a less discerning reader might float atop without any idea that his or her feet have left the ground.
Grossman further digresses. His Vietnam studies stray into denial that we lost the war, egotistical assertions of American prowess, and diatribes on the treatment of veterans. I sometimes felt like I was reading less sociology and more talk-show rant.
The author even comes close to waxing nostalgic about the good old days of pre-1960's cinema, like a Bob Dole or Newt Gingrich. Which brings me to the climactic argument.
--On Manipulation--
Now I don't doubt that media influences human behavior. Unfortunately, *On Killing* draws far-fetched conclusions from dubious methodology:
>Grossman relies on fallacious arguments from authority, peppering the page with cherry-picked declaratives, and argument from repetition.
>He misapplies foreign studies to American violence.
>Likewise, the author fails to investigate why nations that import our media experience different violence rates.
>Grossman neglects the problem of correlation versus causation, except in dismissive footnotes or comments.
>He suppresses alternate possibilities for violence.
One of the large errors of logic is inappropriate analogy. Grossman's central thesis is that post-1960's electronic media reproduces combat conditioning without safeguards. As a veteran, I can tell you folks that a world of difference exists between battlefield training and sitting on your couch.
Movies and video games do not duplicate the recoil, the weight of the weapon, the specks of carbon flying in your face, and the stench of cordite. A DVD or game controller does not substitute for the experience of clearing a jam, or trying to reload your weapon. I had to run shooting courses, moving from cover to cover while firing at targets, and I cleared entire buildings in dynamic exercises. I had to wear battledress, web gear weighting on my hips. Media, on the other hand, parks the viewer in the safety of Fort Living Room.
After 300-pages of war stories and atrocity, Grossman claims that Dirty Harry is turning our children into murderers. His final chapter advocates (or at least implies) censorship and public censure to control our expression.
This has nothing to do with a study of killing. This *is* another fallacy, related to the "irrelevant conclusion": the author presents an attractive set of arguments--those patriotic soldiers and their sympathetic stories-- then switches to a disconnected thesis. Overall, the book calls itself into question with what amounts to a 30-page non-sequitur.
--On Conclusion--
To paraphrase the text itself, *On Killing* stakes out the same moral and scientific ground as the tobacco industry. I feel the author exploits veterans to trick me into adopting his politics. He insults readers who might have been persuaded to his position. And the histrionics--the melodramatic conclusions, the conspiracy theories, and the twisted morality--makes this sham of psychology as crazy as the patient.
"*" - for original interviews and effort.
"*" - for good war stories.