The Devil is Precise
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On my walk through the LoA edition of Arthur Miller plays I bypass The Enemy of the People, the Ibsen adaptation, which I think is a waste of everyone's time, and go straight to the Crucible, which I had never read, nor watched on stage or screen. Very odd. It is a truly gripping piece of modern classic stage writing.
Of course AM needed to educate us always, so this story is not just a story about the witch trials of Salem, when perfectly harmless people, including some citizens of standing in the community, got identified as witches and hanged for it. (Which somehow looks like progress over the burnings in Europe.)
No, this is generally about fundamentalism and totalitarianism and theocracy, and more specifically about McCarthy and I wouldn't be surprised if it was also about the Ayatollah Khomeini, whatever you may say regarding anachronisms, and the Taliban. Let's not forget the Cultural Revolution of China.
If I seem to mock the play just a little bit, I haven't made up my mind yet, not quite. There is something strangely wrong in the tone of the dialogues. Can't quite nail it. Anachronistic for sure; is that all? Have to think about it.
The message that AM put into his morality tale is that power and property interests are behind the maddest manifestations of disinterestedness and righteousness. That was sure true in the other historical witch hunts that we know about. Whether it is an accurate reflection of the Salem case, I do not know. (I will definitely look for the DVD and give DDL a chance for redemption in my eyes.)